ABOUT
blogger profile
delectation: mmm...foood...
simulacra: photoblog
my fotolog
-----------------
April is the cruellest month, breeding/ Lilacs out of the dead land, mixing/ Memory and desire, stirring/ Dull roots with spring rain.
--T.S. Eliot, the wasteland
-----------------
READS
anil dash
banubla
beth cherry
caterina
chris nolan
daily blah
demisemiblog
dooce
eurotrash
giornale nuovo
hoarded ordinaries
hustler of culture
idle words
jeethang
kat hunter
kottke
l.y.d.
megnut
metamorphosism
notesfromthedovecote
ohskylab
one pot meal
open brackets
parking lot
philo hagen
plasticbag
plep
purselipsquarejaw
que sera sera
rachelleb
rebecca's pocket
sarah hatter
strangechord
textism
umami tsunami
whiskey river
witold riedel
-----------------
weblogs.com recently updated
sf metroblog
the morning news
low culture (us)
low culture (uk)
metafilter
gothamist
gawker
sfist
wonkette
-----------------
FRIENDS
loose change
eric fenn
capoeira usa
annapan
cianna
bert
gregory
granada
jeffy
jen b
julius
kevin
lippy
liv e uh
mike y
pokealex
shana
snores
swifty
tessa
 
NEWS/ POLITICS
alternet
atrios
back to iraq
baghdad burning
balkinization
billmon
body & soul
calpundit is now at
political animal
common dreams
daily kos
dear raed
fafblog
indybay
jinky
juan cole
the left coaster
mojo blog
notes on the atrocities
the nation
the new republic
orcinus
patriotboy
road to surfdom
smirking chimp
talk left
talking points memo
tom paine
war in context
air america
the atlantic monthly
bbc
center for american progress
human rights watch
the new york times
the new yorker
the onion
sfgate
 
 

Tuesday, July 13, 2004

unFair & unBalanced

There's a good NYT Magazine article on Robert Greenwald's newest documentary -- Outfoxed: Rupert Murdoch's War on Journalism. I particularly like this account on how the Greenwald put the documentary together:

"Outfoxed" was made in an unusually collaborative fashion. In January, Greenwald rigged up a dozen DVD recorders and programmed them to record Fox News 24 hours a day, seven days a week, for about six months. After scrutinizing the initial footage, Greenwald and a team of researchers compiled a list of what they saw as Fox's telltale themes and techniques: stories questioning the patriotism of liberals; relentlessly upbeat reports on Iraq; belligerent hosts who scream at noncompliant guests. Greenwald planned for the list's categories eventually to become organizing sections of the film. As he envisioned it, the film clips grouped by theme, together with voice-overs and commentary, would lay bare Fox's tactics, frame by frame.

Once the list of categories was complete, Greenwald asked MoveOn to round up 10 volunteers, each of whom was assigned a particular time slot during the day to monitor Fox, so that the network's news stories or commentaries were under observation virtually 24 hours a day. When a MoveOn volunteer would spot an example of footage that fit one of Greenwald's categories, he would note the date and precise time and send the information in an e-mail message to Greenwald, who had an assistant code it and transfer it to a spreadsheet.

By May, Greenwald had received enough examples to construct a rough outline of the film. He then hired five editors -- politically passionate filmmakers who can command up to $1,000 a day for TV commercials and movie trailers but who accepted $150 a day for the chance to work on the project. In the evenings, two editors would consult Greenwald's spreadsheets and locate the flagged footage in his vast library of Fox News segments. During the day, the three other editors worked simultaneously on separate parts of the movie, stitching together a coherent narrative from the Fox clips as well as interviews that Greenwald conducted with former Fox employees (some of them disguised to protect their identities) and commentators like the former CBS News anchor Walter Cronkite and the liberal media critics Mark Crispin Miller and Eric Alterman. At the end of each day, the editors posted their work on a secure Web site for Greenwald's review.

Did you know that for the price of a movie ($10 in San Francisco these days, but the DVDs are actually only a mere $9.95) you can purchase the DVD from these sites? And if you can't afford the movie, attend a free house party screening this Sunday. As they say -- let the facts speak for themselves... And, speaking of facts -- here's Michael Moore's fact checks/ substantiation for material used in Fahrenheit 9/11.

posted by claudine |Added at 3:22 PM| | politics, media bias, fox

 
template © elementopia 2003

Weblog Commenting by HaloScan.com
Memory and Desire
 
contact: deenie (at) winterjade.com
gallery
mirror project
calendar
Atom Site Feed
ARCHIVES
NOTE: the Archives are currently somewhat broken at the moment. If you are having trouble, just access them from the main page, please. I'll get around to fixing them soon, hopefully.
  • August 2003
  • September 2003
  • October 2003
  • November 2003
  • December 2003
  • January 2004
  • February 2004
  • March 2004
  • April 2004
  • May 2004
  • June 2004
  • July 2004
  • August 2004
  • September 2004
  • October 2004
  • November 2004
  • December 2004
  • January 2005
  •  

    peep:

     

     
    FOOD
    101 cookbooks
    a la carte
    chez pim
    chocolate & zucchini
    crumbs
    egullet
    epicurious
    filipino cooking blog
    food reference
    il forno
    just hungry
    noodle pie
    meg's food & wine
    mum-mum
    my latest supper
    nyc eats
    saute wednesday
    shiokadelicious
    tasting menu
    umami
    van eats
     
    STUFF
    < ? Cali Blogs # >
    Technorati Profile
    matt gonzalez
    mandarin design
    webmonkey
    -----------------
    READING
     
     
    WWW winterjade.com