Saturday, June 26, 2004
Michael Moore may be prevented from advertising his controversial new movie, "Fahrenheit 9/11," on television or radio after July 30 if the Federal Election Commission (FEC) today accepts the legal advice of its general counsel. I'm not quite sure what McCain-Feingold says exactly, and how the attorneys are parsing the statements of the bill to get at what matters to them most, but, in matters of free speech, one always has to ask, what about fictionalized or satirized characters who may resemble presidential candidates? What about portrayals of protesters carrying "Down with Bush" signs? This article notes that it might take the FEC months to issue a ruling on the movie in any case, though with the Repub attack machine, I'm not banking on it. I went and saw it last night, and want to see it again. It was, for the most part, a lot of material I'd already read and heard of put in cohesive narrative, but what really made it resonate for me was the footage he managed to obtain -- all those shots of the vapidness, the arrogance, the smug, selfish, completely oblivious emptiness of the appointed president's demeanor. One of the most damning shots of the Preznit -- apart from his 7-minute long blank stare in that Florida classroom after being told that the 2nd plane had slammed into the WTC -- is the bit, where he is shown in white tie and tails, addressing his audience thus: "This is an impressive crowd. The haves and the have mores. Some people call you the elite. I call you my base." That smugness, juxtaposed with the dead-end scenes of Moore's hometown, Flint, Michigan, and of the brutality in Iraq -- perfectly encapsulates the tenor of the film, which adroitly portrays the fucked-up manner this administration has run our country. It lacks in subtlety and nuance, but still -- Bravo, Moore. The sold-out 11:50pm show last night was fun -- the audience eager, receptive, riled. It appears that the movie is doing brisk business indeed -- $8M in its first day -- which puts in on track to being the weekend's #1 film, despite being distributed in 3 times less the theaters than its nearest rival, White Chicks. Bravo, Moore. posted by claudine |Added at 1:35 PM| | movies, politics
|
template © elementopia 2003 |
peep: |
|